A lush new history of music that transcends eras, borders, personalities, and genres by revealing how music is something seen, as well as heard.
Classically trained musician and art historian, Eleanor Chan, takes us deep into the visual and material manifestations of music, transforming our understanding of the story of art and music. Plunging the reader into the body of a performer and the eyes of an art historian, this wonderful book explores the history of music through a series of objects, both everyday and unusual, revealing how music has always been something that we visualize. From the sumptuously illuminated manuscripts of Ethiopia and Safavid Iran to the decorated porcelain flutes of China, from Brazilian opera houses to the jazz-inspired abstract paintings by artists throughout the world, Chan opens windows onto the ways that art has been heard, and music has been seen, throughout time.
From France, India, Brazil, Guyana, Iraq, Italy, Turkey, Ethiopia, Egypt and Armenia, to Greece, China, Japan, Korea, Russia, Iran, the Netherlands, Germany, Wales, Nigeria, Sweden, the United Kingdom and the United States, Duet: An Artful History of Music reveals just how many connections and cross-pollinations there have been between art and music-making cultures over the centuries and across the globe. Music is interwoven into the fabric of our lives. We listen to it, some of us play it, but throughout history we have also attempted to capture it visually: from the musical images of Ancient Sumer to Frozen's Elsa standing on the side of a mountain, her voice making crystals in the air. In this harmonious tale of music and art, the reader embarks on visual journey through sound.
With the same wonder as Katherine Rundell’s Vanishing Creatures and the paradigm-shifting power of The Story of Art Without Men by Katy Hessell, this deep and winding exploration of music’s visual and material manifestations transforms our understanding of its story - to one built by communities and the every (wo)man, not just by the artists, performers, composers whose flame shines brightest.
About the Author
Eleanor Chan is currently a research fellow at the Warburg Institute, University of London. She has studied at the University of Cambridge and the Courtauld Institute of Art, has taught at the Universities of Cambridge, Doshisha, Sheffield and Manchester, and held fellowships with the Leverhulme Trust, Society for Renaissance Studies, Paul Mellon Center for Studies in British Art and the Renaissance Society of America. She is the author of Mathematics and the Craft of Thought (Routledge, 2021) and Syrene Sounds: False Relations in the English Renaissance (Oxford University Press, 2024). Chan is a BBC/AHRC New Generation Thinker.
Praise For…
“With erudition and elegance, classically trained musician and art historian Chan explores how music is viscerally linked to visual art. This illuminating and impassioned deep dive holds many treasures.” — Publishers Weekly
"A visual journey through sound. Chan, a classically trained musician and art historian, offers an ‘insight into the sheer variety of ways the visual has been integral to music throughout history.’ A perky, enthusiastic foray into the overlap of music, art, and history." — Kirkus Reviews
“A swooping, capacious, and beautiful history of how we see music, of the intrinsic connection of eye and ear. The scope is breathtaking: no genre, context, or artefact seems out of bounds for Chan’s brilliant and insightful analysis. Duet is a testament to the musicality and artistry of the human experience and, frankly, I wish there were more books like this.” — Emily MacGregor, author of While the Music Lasts
“A mind-expanding exploration of music as a history of human interactions with the world. Erudite, beautifully written, and bursting with ideas, Chan’s Duet opens our ears and eyes to the deep, creative entanglements of music and the visual arts.” — Dr. Jill Burke, author of How to be a Renaissance Woman
"A sensational book. Chan roves across her vast subject with confidence and grace, thrilling the reader with one eye-opening insight after another. I will never see art, and hear music, in quite the same way again." — James Fox, author of The World According to Colour
